Spring

It's been almost exactly a year since I  posted.  Last year was the year of my mother.  We celebrated her 100th birthday in April and mourned her death in December.   There is always a tension between actually writing and communicating about writing but when I am under stress, it is the communicating that suffers the most.  

Last fall,  The Threepenny Review published one of my medical essays,  "Faithful to the Corpse", which was inspired by a comment (from an artist)  that only artists think about death.   As a primary care physician and geriatrician, there were times where it felt like death clung to me, the way the smell of formaldehyde penetrated our clothes in anatomy lab.  Since my essay appeared, I read Atul Gawande's lovely book Being Mortal, which argues for a more thoughtful approach to end of life care.   I was surprised to find that he, too, discounted the current role of doctors, primary care doctors, in particular, in this realm.   Although an MD, he portrays himself as previously unaware of the work of geriatricians and looks to the new specialty of palliative care to fill what he perceives to be void in this area. The community hospital where my mother spent some of her last weeks didn't even have a palliative care team.  It's not clear how well the model that was developed in academic medical centers will function in other settings--that was the problem with geriatrics, too.  Fortunately, the primary care doctors in our family were able to reach out to my mother's outpatient primary care provider, a nurse practitioner, who helped the family in our mother's last illness. The NP engaged with us out of the goodness of her heart, since she couldn't bill for our conversations.   Dr. Gawande does not discuss finances in his book, but unless we as a society are willing to pay for end of life care, rather than depending on the goodness of the hearts of providers,  the impetus for palliative care will fizzle, like the geriatrics movement I joined  25 years ago.

Reading

"It takes wit and courage to make our way while our way is making us, with no consolation to count on but art and the summer lightning of personal happiness."

                                                                 Alexander Herzen, 1812-1870

Saw the Shotgun Players production of Salvage the third play in Tom Stoppard's trilogy The Coast of Utopia.  They produced all three plays over the past few years, a tremendously ambitious undertaking because  all of them are meaty and long and require many actors.  A theatrical feast.  A few months ago, prompted by the plays and a friend  who kept recommending them, I read the first two parts of Herzen's autobiography, about his early life in Russia and his six-year Siberian exile.  Also saw the American Masters portrait of James Baldwin on TV, which prompted me to return to his essays.   Both literary/political men who lived abroad, Herzen in exile, Baldwin by choice, and eventually found themselves displaced by younger revolutionaries.   Their chunks of history are easier to digest because they write so well.

"But in our time, as in every time, the impossible is the least that one can demand--and one is, after all, emboldened by the spectacle of human history in general, and American Negro history in particular, for it testifies to nothing less than the perpetual achievement of the impossible."

                                                                        James Baldwin, 1924-1987